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Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

1209 resultados para Editorial : PARKSTONE INTERNATIONAL / Materia : Arte

Arte, cine y fotografía / Arte
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  • CAMILLE PISSARRO (1830-1903)
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    CAMILLE PISSARRO (1830-1903)
    KLAUS H. KARL
    Camille Pissarro was a pivotal figure of Impressionism, perhaps the world’s most famous art movement. He also tackled different forms of Neoimpressionism, while maintaining very personal characteristics in his art all throughout his life. A key figure in the Impressionist movement and a participant in every one of their exhibitions, Camille Pissarro (1830-1903) was considered

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  • CAMILLE CLAUDEL
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    CAMILLE CLAUDEL
    VICTORIA CHARLES
    Delve into the exquisite, sensuous sculpture of Camille Claudel with this in-depth look at her remarkable body of work. Along with many of her paintings and drawings, her sculpture is examined with a focus which reveals every intricate detail of her incredible renditions of movement and human emotions. Fascinated from a young age by crafting models with her hands, French sculpt

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  • HENRI DE TOULOUSE-LAUTREC (1864-1901)
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    HENRI DE TOULOUSE-LAUTREC (1864-1901)
    JP CALOSSE
    Known for his posters for cabarets and performances, Henri de Toulouse-Lautrec (1864- 1901) was the painter of Parisian nightlife par excellence. Completely immerged in the bohemian milieu of the period, he produced numerous paintings and lithographs representing the lower levels of society. More than any other painter of his time, Lautrec stands out as the embodiment of Paris.

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  • GUSTAVE CAILLEBOTTE (1848-1894)
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    GUSTAVE CAILLEBOTTE (1848-1894)
    NATHALIA BRODSKAÏA / VICTORIA CHARLES
    The five hundred or more paintings of Caillebotte werenot given much attention during his lifetime. For years, he was considered primarily a generous patron ofimpressionists, but not as a painter in his own right. Later,his style was seen to be more realistic than those of his friends Degas, Monet and Renoir. In 1874, he helped to organise the First Impressionist Exhibition. Ho

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  • DIEGO VELÁZQUEZ (1599-1660)
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    DIEGO VELÁZQUEZ (1599-1660)
    CARL JUSTI
    All throughout his fruitful career, Velázquez painted the powerful just as well as the ordinary Spanish people. His body of work bears the imprint of realism worthy of the greatest Flemish masters of the period, and despite outside influences, he undeniably succeeded in developing his own artistic principles. Diego Velázquez (1599-1660) is one of the world’s most famous art

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  • AMEDEO MODIGLIANI
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    AMEDEO MODIGLIANI
    D.H. LAWRENCE / FRANCES ALEXANDER / JANE ROGOYSKA / KLAUS H. CARL
    Equally famous for his masterful canvasses and tumultuous mental health, Amedeo Modigliani (1884-1920) was, in many ways, the prototypical tortured artist. A lifelong sufferer of painfully degenerative tuberculosis, Modigliani was famous for denying his disease with a frenzied bohemian lifestyle of hard drinking, drug abuse, and passionate love affairs. But at the same time, he

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  • IMPRESSIONISM AND POST-IMPRESSIONISM
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    IMPRESSIONISM AND POST-IMPRESSIONISM
    NATHALIA BRODSKAÏA
    Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissar

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  • IMPRESSIONISM
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    IMPRESSIONISM
    NATHALIA BRODSKAÏA
    Just before his death, Claude Monet wrote: “I’m still sorry to have been the cause of the name given to this group, most of whom were not in the least bit impressionistic”. Starting with this paradox – an ensemble that saw itself as a coherent group, while affirming artistic individuality as the ultimate goal – the author, Nathalia Brodskaïa, explores the contradicti

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  • DIEGO RIVERA - SU ARTE Y SUS PASIONES
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    DIEGO RIVERA - SU ARTE Y SUS PASIONES
    GERRY SOUTER
    “Ya conocía a Diego Rivera, el muralista mexicano, mucho antes de encontrarme con los otros “Diego Rivera” que circulaban por el mundo entre principios del siglo XX y finales de la década de los 50. (…) Mientras que sus pinturas de caballete constituyen un amplio corpus dentro de su obra temprana y tardía, sus murales únicos hacen estallar las paredes en una explosi

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  • FRIDA KAHLO - DETRÁS DEL ESPEJO
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    FRIDA KAHLO - DETRÁS DEL ESPEJO
    GERRY SOUTER
    Detrás de los retratos de Frida Kahlo se ocultan tanto la historia de su vida como la de su obra. Es precisamente esta combinación lo que cautiva al espectador. La obra de Frida es un testimonio de su vida. Pocas veces se puede aprender tanto acerca de un artista con sólo contemplar lo que inscribe dentro del marco de sus cuadros. Frida Kahlo es sin lugar a dudas la ofrenda

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  • MEXICAN PAINTING
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    MEXICAN PAINTING
    JEAN CHARLOT
    Mexican painting did not come to be internationally recognised until the early 20th century. It was the muralist movement, starting in the 1920s and strongly connected to the Mexican Revolution of the previous decade, from which such great artists as José Clemente Orozco (1883-1949), David Alfaro Siqueiros (1896-1974), and Diego Rivera (1886-1957) emerged. Rarely has art been

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  • THE VIRGIN AND CHILD
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    THE VIRGIN AND CHILD
    ERNEST RENAN / KYRA BELÁN
    The Virgin and the Child are amongst the most favourite artistic themes since the Middle Ages. Mary was frequently depicted with the Christ Child.This religious scene showcases a mother and her son, sometimes accompanied by other protagonists. Originally distant and formal, the relationship between the two figures was expressed with tendernessat the end of the Middle Ages and b

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  • THE VIRGIN IN ART
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    THE VIRGIN IN ART
    KYRA BELÁN
    The art world is filled with the presence of the Virgin Mary – a fundamental symbol of motherhood, who has been radiating youthfulness, tenderness, and compassion for two thousand years. Finding in her an inexhaustible source of inspiration, artists have consistently used the image of the Virgin Mary to reflect our own sufferings and joys. The author Kyra Belán leads us on a

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  • ODILON REDON
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    ODILON REDON
    ODILON REDON
    Odilon Redon is a genre-breaking artist. A contemporary of the Impressionists, his oeuvre found its source not in reality but in his own dreams. His work has two sides, which appear to be almost opposite ends: one is daunting and grim, the other one, colourful and lively, they nevertheless merge into a kind of Symbolist magic. Odilon Redon (1840-1916) is without doubt one of th

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  • PUVIS DE CHAVANNES
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    PUVIS DE CHAVANNES
    ARSÈNE ALEXANDRE / JOHN LA FARGE
    Pierre Puvis de Chavannes is not a very well-known artist. Famous throughout his life yetquickly forgotten by the history of art, his work remains little-studied in comparison to the Impressionist masterpieces of the same period. His oeuvre, however, was crucialin France at the end of the 19th century, in particular his mural paintings which are stillvisible today in numerous i

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  • RENAISSANCE PAINTINGS
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    RENAISSANCE PAINTINGS
    VICTORIA CHARLES
    In utter contrast to the obscurity of the medieval period which preceded it, the rapid and unexpected arrival of the Renaissance conquered Europe during the 14th to the 16th centuries. Placing man at its centre, the actors of this illustrious movement radically altered their vision of the world and refocused their aesthetic pursuits towards anatomy, perspective, and the natural

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  • REMBRANDT (1606-1669)
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    REMBRANDT (1606-1669)
    ÉMILE MICHEL
    As famous during his lifetime as after his death, Rembrandt (1606-1669) was oneof the greatest masters of the Dutch Golden Age of the 17th century. His portraitsnot only bring us back to that fascinating time, but also represent, above all, ahuman adventure; beneath every dab of paint the spirit of the model is hidden. Yet these portraits are only the tip of the Rembrandt icebe

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  • IVAN AIVAZOVSKY AND THE RUSSIAN PAINTERS OF WATER
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    IVAN AIVAZOVSKY AND THE RUSSIAN PAINTERS OF WATER
    VICTORIA CHARLES
    The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories a

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  • LEONARDO DA VINCI - ARTIST, THINKER, AND MAN OF SCIENCE
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    LEONARDO DA VINCI - ARTIST, THINKER, AND MAN OF SCIENCE
    EUGÈNE MÜNTZ
    Not only was Leonardo da Vinci (1453-1519) an astonishing painter, but also a scientist, anatomist, sculptor, architect, musician, engineer, inventor, and more. The question is rather, what was he not? During the Italian Renaissance, he mastered the most beautiful works of art for the Medicis’ in Italy and for the King of France. He aroused admiration from his contemporaries,

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  • POST-IMPRESSIONISM
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    POST-IMPRESSIONISM
    NATHALIA BRODSKAÏA
    The Post-Impressionist period was one of solitary painters; Gauguin, Sisley, Cézanne, Van Gogh etc… “There is no longer a unique school. There are a few groups, but even they break up constantly. All these movements remind me of moving geometrical pieces in a kaleidoscope, which separate suddenly only to better come together again. They move apart then get together, but, n

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